O.K. Failure
Following the raging succes of the virgin issue of O.K. PERIODICALS, an initiative of O.K. PARKING a second edition follows suit. The theme: FAILURE, or how I learned to appreciate my mistakes. Through an intriguing graphic approach, this magazine shows how to work with mistakes, and make the most of them.
A large number of people from around the world contributed material and articles to this publication, covering a wide range of subjects crossing various disciplines; neuropsychologist Roos Bijvelds explains how our blundering brain makes us dazzle when seeing op-art, JODI and Beflix show us their glitches, and scientific blunders, misspelled tattoos, environmental tragedies and the effects of dementia on time perception complete the mix.
This issue has been submitted to an accident-prone production process. The first 32 pages have been exposed to multiple print errors and each cover has been screen printed in a special color combination. By giving serendipity a chance, each magazine is unique.
9.50 EURO
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SLANTED # 6
SLANTED.de is a weblog, which has typography and lay-out as its
topic. Founded in 2004, it has grown into an important design portal
and discussion forum in the German-speaking area.
The typography magazine SLANTED, in existence since 2005 and parallel to the weblog, is published quarterly and combines the sectors typography, lay-out, illustration and photography. It attends to the topics in greater detail and more intensive. Both blog and magazine encourage and call for a debate on these subjects as an experimental field. It is also about getting to know them, seeing them in a different light, and to reflect on them.
12 euro
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BERLIN STREET ART 1 + 2
Street art is a phenomenon which exists across the world’s urban
centers. What was once regarded as a nuisance at best or vandalism at
worst, is now increasingly being recognized as an important art form.
BERLIN STREET ART 1 + 2 bring together the finest examples of street art in Berlin, a city bursting with artistic energy and expression. Working primarily at night, street artists leave their messages on building facades, mailboxes, advertisements, traffic signs and trash bins.
The author has spent many years photographing street art before it is erased by the authorities and he collects here the best work of the city’s preeminent street artists.15 EURO
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ANATTITUDE #3
ANATTITUDE MAGAZINE - founded in 2005 - is the first and only existing
international Hip Hop magazine on print, to present the female side of
Hip Hop culture. Intended as an antidote to the onesided, boring, even
nonexistent representation of contemporary female Hip Hop culture in
the media, Anattitude presents strong independent women from around the
Hip Hop world with a special focus on the variety of gender styles.
Anattitude presents knowledge and style with attitude!
8 euro
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OVERGROUND 3
A personal big city story focusing on graffiti Graffiti shapes the
city. The city shapes graffiti. The physical environment offers its
conditions through obstacles and opportunities. But politics also play
their part. OVERGROUND has sought out nine of the most stylistically
influential European graffiti writers. From Stockholm to Bologna,
London to Prague.
Nine extreme artists, who are all kings in their respective cities. Masters in style and endurance. The journey continues throughout Europe in a hunt for the soul of the city and the art. For the first time, the artists are presented as a part of their environment. The city is their studio. They live and work in it, use it and protect it every day. Personality and artistic style are a result of their surroundings. It becomes clear how vastly the writers’ lifestyles and driving forces differ. And despite the standardisation of European cities, there are also great differences.
OVERGROUND 3 is about the last free artistic expression of our time. Graffiti is the world’s largest artistic movement, and it inspires fashion, music, art and design. OVERGROUND 3 is also the story about a Europe in which privatisation, surveillance and intolerance are on the increase. These changes limit opportunities for graffiti writers, but also increase their need to create and be seen. OVERGROUND 3 asks questions on whom the city belongs to and who it is for. On the right to public space and the importance of graffiti in Europe’s increasingly commercialised cities. The result is a personal depiction of the city, focussing on art and lifestyle with reports from Berlin, Copenhagen, Hamburg, Liège, London, Milano - Bologna, Paris, Prag and Stockholm.
Read the REVIEW on FONTANEL (in dutch)
30 EURO
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